Point density: In the design, a conceptual point is placed at a point in the composition, and the fundamental shape tends to be dense at this point in the organization arrangement. The closer to this point, the more sparse away from it.

线的密集：在构图中有一概念性的线，根本形向此线密集，在线的位置上密集大、离线愈远则根本形愈疏。

Line Denseness: There is a conceptual line in the composition. The fundamental line is dense. The denser the line is, the farther the line is, the thinner the fundamental line is.

自在密集：在构图中，根本形的组织没有点或线的密集约束，完整是自在分布，没有规律，根本形的疏密变化比拟奇妙。

Free dense: In composition, the fundamental organization has no dense constraints of points or lines. It is completely self-distributed and irregular. The dense change of the fundamental form is miraculous.

拥堵与疏离：拥堵是过度密集，一切根本形在整个构图中是一种拥堵状态，占满了全部空间，没有疏的。疏离与密集相反，整个构图中根本形彼此疏远，分布在各个角落，分布能够是平均的，也能够是不平均的。

Congestion and alienation: Congestion is excessively dense, and all the fundamental form is a congestion state in the whole composition, which occupies all the space and has no sparse center. On the contrary of alienation and denseness, the fundamental shapes of the whole composition are alienated from each other and distributed in various corners. The distribution can be either average or uneven.

需求留意的是，在密集效果处置中，根本形的面积要细小，数量要多，以便有密集的效果。根本形的外形能够是相同或近似的，在大小和方向上可有一些变化。在密集的构成中，重要的是根本形的密集组织，一定要有张力和动感的趋向，不能组织松散。

Need to note that in the dense effect disposal, the basic shape of the area should be small, the number should be large, so as to have a dense effect. The shape of the fundamental shape can be the same or similar, and there may be some changes in size and direction. In the dense structure, it is important to have a basic form of dense organization, which must have tension and dynamic tendency, and can not be loosely organized.

肌理

Skin texture

肌理又称质感，由于物体的资料不同，外表的排列、组织、结构个不同，因此产生粗糙感、润滑、软硬感。

Texture is also known as texture, because the material of the object is different, the appearance of the arrangement, organization, structure is different, so it produces a rough, lubricating, soft and hard feeling.

肌理的发明办法：

The invention of texture:

笔触的变化：应用笔触的粗、细、硬、软、重以及笔触的不同排列，而描画出不同的肌理效果。

Change of brush strokes: Different texture effects are depicted by applying different arrangement of brush strokes, such as thick, fine, hard, soft and heavy strokes.

印拓：用油墨或涂料雕琢及自然构成的凹凸不平的外表上，然后印在图面上，便会构成古朴的拓印肌理。

Ink rubbing: The rubbing texture of rubbing is simple when it is carved with ink or paint and printed on the surface of natural rubbing.

喷绘：用喷笔或用金属网与牙刷，把溶解的颜料刷下去后，色料如雾状的喷在纸上。

Spray painting: With an airbrush or a metal mesh and toothbrush, the dissolved pigment is brushed down and sprayed on the paper like a mist.

染：具有吸水力强的外表，可用液体颜料停止渲染、侵染、颜料会在外表自然散开，产生自然漂亮的肌理效果。

Dyeing: With a strong water absorption appearance, can be used to stop rendering liquid pigments, infection, pigments will disperse naturally in the appearance, resulting in a natural and beautiful texture effect.

纸张：各种不同的纸张，由于加工的资料不同，自身在粗细、纹理、构造上不同，或人为的折皱，揉产生特殊的肌理效果。

Paper: Different kinds of paper have different thickness, texture, structure, or artificial wrinkles because of different processing data, which produce special texture effect.